-TeXi’s-てぃっしゅとは(About TeXi’s)

テヅカアヤノが主宰を務め、ファッションショーやダンス的要素を取り入れた舞台芸術を創作する団体として2021年に設立。

当事者性を軸にしながら被害・加害関係を多面的に見つめることをテーマに、傷つきながら自己と向き合う時間をもうける

「優しくないけど優しい芸術」を指向する。

創作の中で俳優・観客の安全を確保する線引きを行うことを前提に、身体・上演空間への独自のアプローチを図り、

異なる視点を持つ人間同士の対立や堂々巡りのフラストレーションをうず高く積み上げることで、

ストレスフルだがワンダフルなノンフィクション・ノベルを上演する。

舞台芸術の「観客・俳優の身体がそこに存在すること」への興味・関心を強く持ち、双方の身体へのコンセプチュアルなアプローチから、

「今・ここ」で起こっている分断とその境目に目を向けさせ、眼前に「ひと」が存在していることを強く実感させる演出。

公演参加者のエピソードトークや実体験をベースとしたエチュードを創作を通じて立体化する「ノンフィクション・ノベル」と称する手法で、

幼稚な口げんかの応酬から些細な感情のひださえ感じさせる繊細なモノローグまで両立させる作劇が特徴。

Founded in 2021 by Ayano Tezuka as an organization that creates performing arts that incorporate fashion shows and dance elements.

Based on the theme of looking at relationships between victims and perpetrators from multiple perspectives, with a focus on ownership,

the artist aims to create ``art that is not kind, but kind'' that allows time to face oneself while being hurt.

Based on the premise of drawing a line to ensure the safety of actors and audience members in his creations, he takes a unique approach to the body and performance space, and builds up the frustrations of conflicts and endless cycles between people with different viewpoints. As a result,

we will present a stressful but wonderful non-fiction novel.

He has a strong interest in the "existence of the bodies of the audience and actors" in the performing arts, and from a conceptual approach to both bodies,

he focuses on the divisions that occur in the "here and now" and the boundaries between them.

A performance that makes you look at your eyes and make you feel strongly that there is a ``person'' in front of you. Using a method called ``non-fiction novel'' that creates three-dimensional etudes based on anecdotal talks and real experiences of performance participants, the book is capable of everything from childish quarrels to delicate monologues that make you feel even the smallest folds of emotion. It is characterized by a play that makes you feel.